American poems about life | native american poems about life and death

American poems about life explore the beauty, struggle, hope, and complexity of human existence. From themes of freedom and identity to love, loss, and personal growth, American poets have deeply captured what it means to live.

One of the most influential poets, Walt Whitman, celebrated life’s diversity and individuality in Leaves of Grass. His poetry embraces self-expression, nature, and the shared human experience. Whitman viewed life as powerful, spiritual, and connected.

In contrast, Emily Dickinson explored life through quiet introspection. Her poems often reflect on death, immortality, emotions, and the inner world of the soul. With simple language yet profound meaning, Dickinson revealed how ordinary moments hold deep significance.

Modern poets like Maya Angelou brought themes of resilience, identity, and empowerment into focus. Her famous poem Still I Rise speaks about overcoming hardship and celebrating strength.


Life is Fine
Langston Hughes

I went down to the river,
I set down on the bank.
I tried to think but couldn’t,
So I jumped in and sank.

I came up once and hollered!
I came up twice and cried!
If that water hadn’t a-been so cold
I might’ve sunk and died.

    But it was      Cold in that water!      It was cold!

I took the elevator
Sixteen floors above the ground.
I thought about my baby
And thought I would jump down.

I stood there and I hollered!
I stood there and I cried!
If it hadn’t a-been so high
I might’ve jumped and died.

    But it was      High up there!      It was high!

So since I'm still here livin’,
I guess I will live on.
I could’ve died for love—
But for livin’ I was born

Though you may hear me holler,
And you may see me cry—
I’ll be dogged, sweet baby,
If you gonna see me die.

    Life is fine!      Fine as wine!      Life is fine!


Life
Emma Lowrey Williams

We can not tell what happiness 
We might on earth possess 
If in singleness of heart 
We would strive to act a proper part. 
‘Tis true we see the effects of sin
All without and all within. 
We long may live a life in vain, 
Much good possess, but still complain. 
We may appear to other eyes, 
To be extremely rich and wise; 
But if our hearts are not right, 
Life will not be beautiful and bright. 
Oh! may our life, day by day, 
In love and duty pass away; 
And at last when our bodies die, 
We may live in that world above the sky; 
Where free from sin, death and pain, 
The good will meet and love again. 


Native Memory
Ansel Elkins

River was my first word
after mama.
I grew up with the names of rivers
on my tongue: the Coosa,
the Tallapoosa, the Black Warrior;
the sound of their names
as native to me as my own.

I walked barefoot along the brow of Lookout Mountain
with my father, where the Little River
carves its name through the canyons
of sandstone and shale
above Shinbone Valley;
where the Cherokee
stood on these same stones
and cast their voices into the canyon below.

You are here, a red arrow
on the atlas tells me
at the edge of the bluff
where young fools have carved their initials
into giant oaks
and spray painted their names and dates
on the canyon rocks,
where human history is no more
than a layer of stardust, thin
as the fingernail of god.

What the canyon holds in its hands:
an old language spoken into the pines
and carried downstream
on wind and time, vanishing
like footprints in ash.
The mountain holds their sorrow
in the marrow of its bones.
The body remembers
the scars of massacres,
how the hawk ached to see
family after family
dragged by the roots
from the land of their fathers.

Someone survived to remember
beyond the weight of wagons and their thousands
of feet cutting a deep trail of grief.
Someone survived to tell the story of this
sorrow and where they left their homes
and how the trees wept to see them go
and where they crossed the river
and where they whispered a prayer into their grandmother’s eyes
before she died
and where it was along the road they buried her
and where the oak stood whose roots
grew around her bones
and where it was that the wild persimmons grow
and what it was she last said to her children
and which child was to keep her memory alive
and which child was to keep the language alive
and weave the stories of this journey into song
and when were the seasons of singing
and what were the stories that go with the seasons
that tell how to work and when to pray
that tell when to dance and who made the day.

You are here
where bloodlines and rivers
are woven together.
I followed the river until I forgot my name
and came here to the mouth of the canyon
to swim in the rain and remember
this, the most indigenous joy I know:
to wade into the river naked
among the moss and stones,
to drink water from my hands
and be alive in the river, the river saying,
You are here,
a daughter of stardust and time.

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