If you’re searching for poetry that feels deeply personal yet universally human, the work of Li-Young Lee is a perfect place to begin. Known for his quiet intensity and lyrical beauty, Lee’s poems explore themes of memory, family, identity, love, and spirituality with remarkable sensitivity. His writing often draws from his childhood experiences as the son of Chinese immigrants, blending cultural heritage with emotional introspection.
Li-Young Lee’s poetry stands out for its simplicity and depth. He uses clear, gentle language to express complex emotions, allowing readers to connect with his work on a deeply intimate level. Poems like “Eating Alone,” “The Gift,” and “Persimmons” reflect his ability to transform ordinary moments into powerful reflections on life and human connection.
In today’s fast-paced world, Lee’s poems offer a sense of stillness and reflection. His work invites readers to pause, feel, and rediscover the beauty in quiet moments. Whether you are new to poetry or a long-time reader, exploring the best poems of Li-Young Lee can be a deeply moving and enriching experience.
Arise, Go Down
It wasn’t the bright hems of the Lord’s skirts
that brushed my face and I opened my eyes
to see from a cleft in rock His backside;
it’s a wasp perched on my left cheek. I keep
my eyes closed and stand perfectly still
in the garden till it leaves me alone,
not to contemplate how this century
ends and the next begins with no one
I know having seen God, but to wonder
why I get through most days unscathed, though I
live in a time when it might be otherwise,
and I grow more fatherless each day.
For years now I have come to conclusions
without my father’s help, discovering
on my own what I know, what I don’t know,
and seeing how one cancels the other.
I've become a scholar of cancellations.
Here, I stand among my father’s roses
and see that what punctures outnumbers what
consoles, the cruel and the tender never
make peace, though one climbs, though one descends
petal by petal to the hidden ground
no one owns. I see that which is taken
away by violence or persuasion.
The rose announces on earth the kingdom
of gravity. A bird cancels it.
My eyelids cancel the bird. Anything
might cancel my eyes: distance, time, war.
My father said, Never take your both eyes
off of the world, before he rocked me.
All night we waited for the knock
that would have signalled, All clear, come now;
it would have meant escape; it never came.
I didn’t make the world I leave you with,
he said, and then, being poor, he left me
only this world, in which there is always
a family waiting in terror
before they’re rended, this world wherein a man
might arise, go down, and walk along a path
and pause and bow to roses, roses
his father raised, and admire them, for one moment
unable, thank God, to see in each and
every flower the world cancelling itself.
Early in the Morning
While the long grain is softening
in the water, gurgling
over a low stove flame, before
the salted Winter Vegetable is sliced
for breakfast, before the birds,
my mother glides an ivory comb
through her hair, heavy
and black as calligrapher’s ink.
She sits at the foot of the bed.
My father watches, listens for
the music of comb
against hair.
My mother combs,
pulls her hair back
tight, rolls it
around two fingers, pins it
in a bun to the back of her head.
For half a hundred years she has done this.
My father likes to see it like this.
He says it is kempt.
But I know
it is because of the way
my mother’s hair falls
when he pulls the pins out.
Easily, like the curtains
when they untie them in the evening.
Eating Together
In the steamer is the trout
seasoned with slivers of ginger,
two sprigs of green onion, and sesame oil.
We shall eat it with rice for lunch,
brothers, sister, my mother who will
taste the sweetest meat of the head,
holding it between her fingers
deftly, the way my father did
weeks ago. Then he lay down
to sleep like a snow-covered road
winding through pines older than him,
without any travelers, and lonely for no one.
From Blossoms
From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.
From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.
O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.
There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.
The Gift
To pull the metal splinter from my palm
my father recited a story in a low voice.
I watched his lovely face and not the blade.
Before the story ended, he’d removed
the iron sliver I thought I’d die from.
I can’t remember the tale,
but hear his voice still, a well
of dark water, a prayer.
And I recall his hands,
two measures of tenderness
he laid against my face,
the flames of discipline
he raised above my head.
Had you entered that afternoon
you would have thought you saw a man
planting something in a boy’s palm,
a silver tear, a tiny flame.
Had you followed that boy
you would have arrived here,
where I bend over my wife’s right hand.
Look how I shave her thumbnail down
so carefully she feels no pain.
Watch as I lift the splinter out.
I was seven when my father
took my hand like this,
and I did not hold that shard
between my fingers and think,
Metal that will bury me,
christen it Little Assassin,
Ore Going Deep for My Heart.
And I did not lift up my wound and cry,
Death visited here!
I did what a child does
when he’s given something to keep.
I kissed my father.
Little Father
I buried my father
in the sky.
Since then, the birds
clean and comb him every morning
and pull the blanket up to his chin
every night.
I buried my father underground.
Since then, my ladders
only climb down,
and all the earth has become a house
whose rooms are the hours, whose doors
stand open at evening, receiving
guest after guest.
Sometimes I see past them
to the tables spread for a wedding feast.
I buried my father in my heart.
Now he grows in me, my strange son,
my little root who won’t drink milk,
little pale foot sunk in unheard-of night,
little clock spring newly wet
in the fire, little grape, parent to the future
wine, a son the fruit of his own son,
little father I ransom with my life.
A Story
Sad is the man who is asked for a story
and can’t come up with one.
His five-year-old son waits in his lap.
Not the same story, Baba. A new one.
The man rubs his chin, scratches his ear.
In a room full of books in a world
of stories, he can recall
not one, and soon, he thinks, the boy
will give up on his father.
Already the man lives far ahead, he sees
the day this boy will go. Don’t go!
Hear the alligator story! The angel story once more!
You love the spider story. You laugh at the spider.
Let me tell it!
But the boy is packing his shirts,
he is looking for his keys. Are you a god,
the man screams, that I sit mute before you?
Am I a god that I should never disappoint?
But the boy is here. Please, Baba, a story?
It is an emotional rather than logical equation,
an earthly rather than heavenly one,
which posits that a boy’s supplications
and a father’s love add up to silence.
In conclusion, the poetry of Li-Young Lee offers a timeless journey into the depths of human emotion and memory. His gentle yet powerful words remind us that beauty often lies in the simplest moments—family, love, loss, and quiet reflection. Through poems like “Eating Alone” and “The Gift,” he transforms personal experiences into universal truths that resonate with readers across cultures.
Exploring Li-Young Lee’s best poems is not just about reading poetry—it’s about feeling it, living it, and finding pieces of your own story within his lines. His work encourages us to slow down, appreciate the present, and reconnect with our inner selves. For anyone seeking meaningful, heartfelt poetry, Li-Young Lee remains an unforgettable voice that continues to inspire and comfort readers around the world.
