Leonie Adams was an influential American poet known for her lyrical intensity, spiritual depth, and precise craftsmanship. Born in 1899, she became a significant voice in 20th-century American poetry and later served as the Poet Laureate Consultant in Poetry to the Library of Congress.
Leonie Adams’ poems are often characterized by rich imagery, elevated language, and deep philosophical reflection. She explored themes such as faith, love, suffering, and the search for transcendence. Her poetry frequently reflects a strong spiritual and mystical dimension, blending intellectual thought with emotional expression.
One of her notable collections, Those Not Elect, established her reputation as a serious and disciplined poet. Throughout her career, she remained dedicated to formal structure, often using traditional poetic forms while filling them with intense personal insight.
- Adams believed poetry should strive for clarity and moral seriousness. Her work is marked by careful attention to rhythm and sound, giving her lines a musical quality. Though sometimes considered intellectually demanding, her poems reward readers with profound reflection and emotional power.
- Overall, Leonie Adams’ poetry stands as a testament to artistic discipline, spiritual exploration, and the enduring beauty of carefully crafted language in American literature.
Alas, Kind Element!
By Léonie Adams
Then I was sealed, and like the wintering tree
I stood me locked upon a summer core;
Living, had died a death, and asked no more.
And I lived then, but as enduringly,
And my heart beat, but only as to be.
Ill weathers well, hail, gust and cold I bore,
I held my life as hid, at root, in store:
Thus I lived then, till this air breathed on me.
Till this kind air breathed kindness everywhere,
There where my times had left me I would stay.
Then I was staunch, I knew nor yes nor no;
But now the wishful leaves have thronged the air.
My every leaf leans forth upon the day;
Alas, kind element! which comes to go.
Country Summer
By Léonie Adams
Now the rich cherry, whose sleek wood,
And top with silver petals traced
Like a strict box its gems encased,
Has spilt from out that cunning lid,
All in an innocent green round,
Those melting rubies which it hid;
With moss ripe-strawberry-encrusted,
So birds get half, and minds lapse merry
To taste that deep-red, lark’s-bite berry,
And blackcap bloom is yellow-dusted.
The wren that thieved it in the eaves
A trailer of the rose could catch
To her poor droopy sloven thatch,
And side by side with the wren’s brood—
O lovely time of beggar’s luck—
Opens the quaint and hairy bud;
And full and golden is the yield
Of cows that never have to house,
But all night nibble under boughs,
Or cool their sides in the moist field.
Into the rooms flow meadow airs,
The warm farm baking smell’s blown round.
Inside and out, and sky and ground
Are much the same; the wishing star,
Hesperus, kind and early born,
Is risen only finger-far;
All stars stand close in summer air,
And tremble, and look mild as amber;
When wicks are lighted in the chamber,
They are like stars which settled there.
Now straightening from the flowery hay,
Down the still light the mowers look,
Or turn, because their dreaming shook,
And they waked half to other days,
When left alone in the yellow stubble
The rusty-coated mare would graze.
Yet thick the lazy dreams are born,
Another thought can come to mind,
But like the shivering of the wind,
Morning and evening in the corn.
Dirge at the Edge of Woods
By Léonie Adams
Gold shed upon suckling gold,
The time of the bole blackens,
Of the dark mounted through dapple,
While in the sealed apple
The seed cradled toward cold.
A gold on gold spent,
Put by from an elm in its years
Now its gilded of days,
Over turf’s dishevelment;
Where all which is green sickens,
All the fresh shall be sere.
All which is green sickens,
And it is but for a time
Those embered veinings blaze
A year’s delirium;
Or neared of other space,
Unportioned azure shall close
One of more, and which is,
One which goes.
Let the little pupils that will,
Of vision, gaze for salt
To whet their gazing, wit
In one weather is high
From burrow and lair, by
Nether providences’ default
An all’s accrued.
And apposite, beyond
Such primer beholdings, has
Its long accounting known
The beetle’s morsel thus
Was rich, and the slug’s bed on
The oak’s generations, deep
Over the lark’s bones.
In slough of Edens fast
Wit in one weather shall stand,
While millennia nibble at
The sensual apple
Toppled it net,
Plenty in the palm of the hand,
And the fallen not fallen, not lost
From out its certitude—
For our unbeggaring
Has been gross. Few and late
To cherish an immoderate
Wish, hope’s calculus,
Love’s hope; few to miss,
From natural tally thrust,
In the lime-girdled space
Of choice, where alone
Man can abandon what
Is only his own;
And in cold and tarrying
Their rearisers sleep:
While to the granite cheek
Light’s purples bring
Infinite their ministering,
And past our finial
And ragged crests, to keep
Time’s ambient stood,
Propose horizons from
Their shadowy quarries; while,
In an unwandered wood,
Or under the indifferent foot,
Is let fall, let fall a fruit,
Through eternal leisures down,
For but time’s unravelling.
The Figurehead
By Léonie Adams
This that is washed with weed and pebblestone
Curved once a dolphin’s length before the prow,
And I who read the land to which we bore
In its grave eyes, question my idol now,
What cold and marvelous fancy it may keep,
Since the salt terror swept us from our course,
Or if a wisdom later than the storm,
For old green ocean’s tinctured it so deep;
And with some reason to me on this strand
The waves, the ceremonial waves have come,
And stooped their barbaric heads, and all flung out
Their glittering arms before them, and are gone,
Leaving the murderous tribute lodged in sand.
The Mount
By Léonie Adams
Now I have tempered haste,
The joyous traveller said,
The steed has passed me now
Whose hurrying hooves I fled.
My spectre rides thereon,
I learned what mount he has,
Upon what summers fed;
And wept to know again,
Beneath the saddle swung,
Treasure for whose great theft
This breast was wrung.
His bridle bells sang out,
I could not tell their chime,
So brilliantly he rings,
But called his name as Time.
His bin was morning light,
Those straws which gild his bed
Are of the fallen West.
Although green lands consume
Beneath their burning tread,
In everlasting bright
His hooves have rest.
