Famous Political Poems: Voices of Resistance and Change
Famous political poems have inspired generations by speaking truth to power and addressing social injustice. These poems explore themes of freedom, equality, revolution, and human rights, making them timeless sources of inspiration for activists and readers alike.
One of the most influential works is “The Mask of Anarchy” by Percy Bysshe Shelley. Written after the Peterloo Massacre, this poem calls for nonviolent protest and remains a symbol of democratic resistance.
In the United States, poets like Langston Hughes and Maya Angelou used poetry to confront racism and inequality. Hughes’ “Let America Be America Again” challenges unfulfilled promises of freedom, while Angelou’s work empowers marginalized communities.
From Latin America, Pablo Neruda’s “Canto General” combines love, revolution, and social justice, reflecting the political struggles of his time. Similarly, Nazim Hikmet’s poetry speaks of freedom, human dignity, and the pain of exile.
Praise Song for the Day
By Elizabeth Alexander
Each day we go about our business,
walking past each other, catching each other’s
eyes or not, about to speak or speaking.
All about us is noise. All about us is
noise and bramble, thorn and din, each
one of our ancestors on our tongues.
Someone is stitching up a hem, darning
a hole in a uniform, patching a tire,
repairing the things in need of repair.
Someone is trying to make music somewhere,
with a pair of wooden spoons on an oil drum,
with cello, boom box, harmonica, voice.
A woman and her son wait for the bus.
A farmer considers the changing sky.
A teacher says, Take out your pencils. Begin.
We encounter each other in words, words
spiny or smooth, whispered or declaimed,
words to consider, reconsider.
We cross dirt roads and highways that mark
the will of some one and then others, who said
I need to see what’s on the other side.
I know there’s something better down the road.
We need to find a place where we are safe.
We walk into that which we cannot yet see.
Say it plain: that many have died for this day.
Sing the names of the dead who brought us here,
who laid the train tracks, raised the bridges,
picked the cotton and the lettuce, built
brick by brick the glittering edifices
they would then keep clean and work inside of.
Praise song for struggle, praise song for the day.
Praise song for every hand-lettered sign,
the figuring-it-out at kitchen tables.
Some live by love thy neighbor as thyself,
others by first do no harm or take no more
than you need. What if the mightiest word is love?
Love beyond marital, filial, national,
love that casts a widening pool of light,
love with no need to pre-empt grievance.
In today’s sharp sparkle, this winter air,
any thing can be made, any sentence begun.
On the brink, on the brim, on the cusp,
praise song for walking forward in that light.
On the Pulse of Morning
By Maya Angelou
A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon,
The dinosaur, who left dried tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow,
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness
Have lain too long
Facedown in ignorance,
Your mouths spilling words
Armed for slaughter.
The Rock cries out to us today,
You may stand upon me,
But do not hide your face.
The Gift Outright
By Robert Frost
The land was ours before we were the land’s.
She was our land more than a hundred years
Before we were her people. She was ours
In Massachusetts, in Virginia,
But we were England’s, still colonials,
Possessing what we still were unpossessed by,
Possessed by what we now no more possessed.
Something we were withholding made us weak
Until we found out that it was ourselves
We were withholding from our land of living,
And forthwith found salvation in surrender.
Such as we were we gave ourselves outright
(The deed of gift was many deeds of war)
To the land vaguely realizing westward,
But still unstoried, artless, unenhanced,
Such as she was, such as she would become.
Of History and Hope
By Miller Williams
We have memorized America,
how it was born and who we have been and where.
In ceremonies and silence we say the words,
telling the stories, singing the old songs.
We like the places they take us. Mostly we do.
The great and all the anonymous dead are there.
We know the sound of all the sounds we brought.
The rich taste of it is on our tongues.
But where are we going to be, and why, and who?
The disenfranchised dead want to know.
We mean to be the people we meant to be,
to keep on going where we meant to go.
But how do we fashion the future? Who can say how
except in the minds of those who will call it Now?
The children. The children. And how does our garden grow?
With waving hands—oh, rarely in a row—
and flowering faces. And brambles, that we can no longer allow.
Who were many people coming together
cannot become one people falling apart.
Who dreamed for every child an even chance
cannot let luck alone turn doorknobs or not.
Whose law was never so much of the hand as the head
cannot let chaos make its way to the heart.
Who have seen learning struggle from teacher to child
cannot let ignorance spread itself like rot.
We know what we have done and what we have said,
and how we have grown, degree by slow degree,
believing ourselves toward all we have tried to become—
just and compassionate, equal, able, and free.
All this in the hands of children, eyes already set
on a land we never can visit—it isn’t there yet—
but looking through their eyes, we can see
what our long gift to them may come to be.
If we can truly remember, they will not forget.
A Political Apostate
Ambrose Bierce
Good friend, it is with deep regret I note
The latest, strangest turning of your coat;
Though any way you wear that mental clout
The seamy side seems always to be out.
Who could have thought that you would e'er sustain
The Southern shotgun's arbitrary reign!
Your sturdy hand assisting to replace
The broken yoke on a delivered race;
The ballot's purity no more your care,
With equal privilege to dark and fair.
To Yesterday a traitor, to To-day
You're constant but the better to betray
To-morrow. Your convictions all are naught
But the wild asses of the world of thought,
Which, flying mindless o'er the barren plain,
Perceive at last they've nothing so to gain,
And, turning penitent upon their track,
Economize their strength by flying back.
Ex-champion of Freedom, battle-lunged,
No more, red-handed, or at least red-tongued,
Brandish the javelin which by others thrown
Clove Sambo's heart to quiver in your own!
Confess no more that when his blood was shed,
And you so sympathetically bled,
The bow that spanned the mutual cascade
Was but the promise of a roaring trade
In offices. Your fingering now the trigger
Shows that you _knew_ your Negro was a nigger!
_Ad hominem_ this _argumentum_ runs:
Peace!-let us fire another kind of guns.
I grant you, friend, that it is very true
The Blacks are ignorant-and sable, too.
What then? One way of two a fool must vote,
And either way with gentlemen of note
Whose villain feuds the fact attest too well
That pedagogues nor vice nor error quell.
The fiercest controversies ever rage
When Miltons and Salmasii engage.
No project wide attention ever drew
But it disparted all the learned crew.
As through their group the cleaving line's prolonged
With fiery combatants each field is thronged.
In battle-royal they engage at once
For guidance of the hesitating dunce.
The Titans on the heights contend full soon
On this side Webster and on that Calhoun,
The monstrous conflagration of their fight
Startling the day and splendoring the night!
Both are unconquerable-_one_ is right.
Will't keep the pigmy, if we make him strong,
From siding with a giant in the wrong?
When Genius strikes for error, who's afraid
To arm poor Folly with a wooden blade?
O Rabelais, you knew it all!-your good
And honest judge (by men misunderstood)
Knew to be right there was but one device
Less fallible than ignorance-the dice.
The time must come-Heaven expedite the day!
When all mankind shall their decrees obey,
And nations prosper in their peaceful sway.
September 1, 1939
W. H. Auden
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
“I will be true to the wife,
I’ll concentrate more on my work,”
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the deaf,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
Rosa Parks
By Nikki Giovanni
This is for the Pullman Porters who organized when people said
they couldn’t. And carried the Pittsburgh Courier and the Chicago
Defender to the Black Americans in the South so they would
know they were not alone. This is for the Pullman Porters who
helped Thurgood Marshall go south and come back north to fight
the fight that resulted in Brown v. Board of Education because
even though Kansas is west and even though Topeka is the birth-
place of Gwendolyn Brooks, who wrote the powerful “The
Chicago Defender Sends a Man to Little Rock,” it was the
Pullman Porters who whispered to the traveling men both
the Blues Men and the “Race” Men so that they both would
know what was going on. This is for the Pullman Porters who
smiled as if they were happy and laughed like they were tickled
when some folks were around and who silently rejoiced in 1954
when the Supreme Court announced its 9—0 decision that “sepa-
rate is inherently unequal.” This is for the Pullman Porters who
smiled and welcomed a fourteen-year-old boy onto their train in
1955. They noticed his slight limp that he tried to disguise with a
doo-wop walk; they noticed his stutter and probably understood
why his mother wanted him out of Chicago during the summer
when school was out. Fourteen-year-old Black boys with limps
and stutters are apt to try to prove themselves in dangerous ways
when mothers aren’t around to look after them. So this is for the
Pullman Porters who looked over that fourteen-year-old while
the train rolled the reverse of the Blues Highway from Chicago to
St. Louis to Memphis to Mississippi. This is for the men who kept
him safe; and if Emmett Till had been able to stay on a train all
summer he would have maybe grown a bit of a paunch, certainly
lost his hair, probably have worn bifocals and bounced his grand-
children on his knee telling them about his summer riding the
rails. But he had to get off the train. And ended up in Money,
Mississippi. And was horribly, brutally, inexcusably, and unac-
ceptably murdered. This is for the Pullman Porters who, when the
sheriff was trying to get the body secretly buried, got Emmett’s
body on the northbound train, got his body home to Chicago,
where his mother said: I want the world to see what they did
to my boy. And this is for all the mothers who cried. And this is
for all the people who said Never Again. And this is about Rosa
Parks whose feet were not so tired, it had been, after all, an ordi-
nary day, until the bus driver gave her the opportunity to make
history. This is about Mrs. Rosa Parks from Tuskegee, Alabama,
who was also the field secretary of the NAACP. This is about the
moment Rosa Parks shouldered her cross, put her worldly goods
aside, was willing to sacrifice her life, so that that young man in
Money, Mississippi, who had been so well protected by the
Pullman Porters, would not have died in vain. When Mrs. Parks
said “NO” a passionate movement was begun. No longer would
there be a reliance on the law; there was a higher law. When Mrs.
Parks brought that light of hers to expose the evil of the system,
the sun came and rested on her shoulders bringing the heat and
the light of truth. Others would follow Mrs. Parks. Four young
men in Greensboro, North Carolina, would also say No. Great
voices would be raised singing the praises of God and exhorting
us “to forgive those who trespass against us.” But it was the
Pullman Porters who safely got Emmett to his granduncle and it
was Mrs. Rosa Parks who could not stand that death. And in not
being able to stand it. She sat back down.
The Mask of Anarchy [Excerpt]
Percy Bysshe Shelley
1792 –1822
LXXIX
"Stand ye calm and resolute,
Like a forest close and mute,
With folded arms and looks which are
Weapons of unvanquished war,
LXXX
"And let Panic, who outspeeds
The career of armèd steeds
Pass, a disregarded shade
Through your phalanx undismayed.
LXXXI
"Let the laws of your own land,
Good or ill, between ye stand
Hand to hand, and foot to foot,
Arbiters of the dispute,
LXXXII
"The old laws of England—they
Whose reverend heads with age are gray,
Children of a wiser day;
And whose solemn voice must be
Thine own echo—Liberty!
LXXXIII
"On those who first should violate
Such sacred heralds in their state
Rest the blood that must ensue,
And it will not rest on you.
LXXXIV
"And if then the tyrants dare
Let them ride among you there,
Slash, and stab, and maim, and hew,—
What they like, that let them do.
LXXXV
"With folded arms and steady eyes,
And little fear, and less surprise,
Look upon them as they slay
Till their rage has died away.
LXXXVI
"Then they will return with shame
To the place from which they came,
And the blood thus shed will speak
In hot blushes on their cheek.
LXXXVII
"Every woman in the land
Will point at them as they stand—
They will hardly dare to greet
Their acquaintance on the street.
LXXXVIII
"And the bold, true warriors
Who have hugged Danger in wars
Will turn to those who would be free,
Ashamed of such base company.
LXXXIX
"And that slaughter to the Nation
Shall steam up like inspiration,
Eloquent, oracular;
A volcano heard afar.
XC
"And these words shall then become
Like Oppression's thundered doom
Ringing through each heart and brain,
Heard again—again—again—
XCI
"Rise like Lions after slumber
In unvanquishable number—
Shake your chains to earth like dew
Which in sleep had fallen on you—
Ye are many—they are few."
