Stanley Kunitz’s poems are known for their deep emotional honesty, philosophical reflection, and lyrical intensity. Across a career that spanned more than seven decades, Kunitz explored the inner life of the self—memory, loss, love, aging, and spiritual renewal—with remarkable depth and clarity. His poetry often feels meditative, as if the poet is in conversation with his own past and conscience.
A central theme in Kunitz’s work is identity shaped by trauma and time. The suicide of his father before his birth profoundly influenced his sense of absence and searching, which appears in many poems as a quiet but persistent emotional undercurrent. Nature also plays a vital role in his poetry, not as decoration but as a living force that mirrors human struggle and transformation. Gardens, seasons, and animals often become symbols of endurance and rebirth.
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| Stanley kunitz |
Stylistically, Kunitz evolved from formal, structured verse to a more open, flexible style in his later years. This shift allowed his voice to become more intimate and conversational while retaining a strong musical quality. Poems like “The Layers,” “Touch Me,” and “Passing Through” reflect wisdom gained through suffering and survival.
Ultimately, Stanley Kunitz’s poems speak to the resilience of the human spirit. They remind readers that self-understanding is a lifelong journey, shaped by pain, love, and the courage to continue becoming oneself.
First Love
At his incipient sun
The ice of twenty winters broke,
Crackling, in her eyes.
Her mirroring, still mind,
That held the world (made double) calm,
Went fluid, and it ran.
There was a stir of music,
Mixed with flowers, in her blood;
A swift impulsive balm
From obscure roots;
Gold bees of clinging light
Swarmed in her brow.
Her throat is full of songs,
She hums, she is sensible of wings
Growing on her heart.
She is a tree in spring
Trembling with the hope of leaves,
Of which the leaves are tongues.
Father And Son
Now in the suburbs and the falling light
I followed him, and now down sandy road
Whitter than bone-dust, through the sweet
Curdle of fields, where the plums
Dropped with their load of ripeness, one by one.
Mile after mile I followed, with skimming feet,
After the secret master of my blood,
Him, steeped in the odor of ponds, whose indomitable love
Kept me in chains. Strode years; stretched into bird;
Raced through the sleeping country where I was young,
The silence unrolling before me as I came,
The night nailed like an orange to my brow.
How should I tell him my fable and the fears,
How bridge the chasm in a casual tone,
Saying, "The house, the stucco one you built,
We lost. Sister married and went from home,
And nothing comes back, it's strange, from where she goes.
I lived on a hill that had too many rooms;
Light we could make, but not enough of warmth,
And when the light failed, I climbed under the hill.
The papers are delivered every day;
I am alone and never shed a tear."
At the water's edge, where the smothering ferns lifted
Their arms, "Father!" I cried, "Return! You know
The way. I’ll wipe the mudstains from your clothes;
No trace, I promise, will remain. Instruct
You son, whirling between two wars,
In the Gemara of your gentleness,
For I would be a child to those who mourn
And brother to the foundlings of the field
And friend of innocence and all bright eyes.
0 teach me how to work and keep me kind."
Among the turtles and the lilies he turned to me
The white ignorant hollow of his face.
End Of Summer
An agitation of the air,
A perturbation of the light
Admonished me the unloved year
Would turn on its hinge that night.
I stood in the disenchanted field
Amid the stubble and the stones
Amaded, while a small worm lisped to me
The song of my marrow-bones.
Blue poured into summer blue,
A hawk broke from his cloudless tower,
The roof of the silo blazed, and I knew
That part of my life was forever over.
Already the iron door of the North
Clangs open: birds,leaves,snows
Order their populations forth,
And a cruel wind blows.
Single Vision
Before I am completely shriven
I shall reject my inch of heaven.
Cancel my eyes, and, standing, sink
Into my deepest self; there drink
Memory down. The banner of
My blood, unfurled, will not be love,
Only the pity and the pride
Of it, pinned to my open side.
When I have utterly refined
The composition of my mind,
Shaped language of my marrow till
Its forms are instant to my will,
Suffered the leaf of my heart to fall
Under the wind, and, stripping all
The tender blanket from my bone,
Rise like a skeleton in the sun,
I shall have risen to disown
The good mortality I won.
Drectly risen with the stain
Of life upon my crested brain,
Which I shall shake against my ghost
To frighten him, when I am lost.
Gladly as any poison, yield
My halved conscience, brightly peeled;
Infect him, since we live but once,
With the unused evil in my bones.
I'll shed the tear of souls, the true
Sweat, Blake's intellectual dew,
Before I am resigned to slip
A dusty finger on my lip.
The Long Boat
When his boat snapped loose
from its mooring, under
the screaking of the gulls,
he tried at first to wave
to his dear ones on shore,
but in the rolling fog
they had already lost their faces.
Too tired even to choose
between jumping and calling,
somehow he felt absolved and free
of his burdens, those mottoes
stamped on his name-tag:
conscience, ambition, and all
that caring.
He was content to lie down
with the family ghosts
in the slop of his cradle,
buffeted by the storm,
endlessly drifting.
Peace! Peace!
To be rocked by the Infinite!
As if it didn't matter
which way was home;
as if he didn't know
he loved the earth so much
he wanted to stay forever.
The Quarrel
The word I spoke in anger
weighs less than a parsley seed,
but a road runs through it
that leads to my grave,
that bought-and-paid-for lot
on a salt-sprayed hill in Truro
where the scrub pines
overlook the bay.
Half-way I'm dead enough,
strayed from my own nature
and my fierce hold on life.
If I could cry, I'd cry,
but I'm too old to be
anybody's child.
Liebchen,
with whom should I quarrel
except in the hiss of love,
that harsh, irregular flame?
The Snakes Of September
All summer I heard them
rustling in the shrubbery,
outracing me from tier
to tier in my garden,
a whisper among the viburnums,
a signal flashed from the hedgerow,
a shadow pulsing
in the barberry thicket.
Now that the nights are chill
and the annuals spent,
I should have thought them gone,
in a torpor of blood
slipped to the nether world
before the sickle frost.
Not so. In the deceptive balm
of noon, as if defiant of the curse
that spoiled another garden,
these two appear on show
through a narrow slit
in the dense green brocade
of a north-country spruce,
dangling head-down, entwined
in a brazen love-knot.
I put out my hand and stroke
the fine, dry grit of their skins.
After all,
we are partners in this land,
co-signers of a covenant.
At my touch the wild
braid of creation
trembles.
