Leonard Cohen’s poems are known for their quiet intensity, emotional honesty, and deep philosophical insight. Before he became famous as a songwriter, Cohen was already an established poet and novelist, and his poetry reflects a lifelong engagement with themes such as love, faith, doubt, loneliness, and the human search for meaning. His poems often move between the sacred and the secular, blending religious imagery with intimate, personal experience.
Cohen’s language is simple yet powerful. He avoids decorative excess and instead relies on clarity, rhythm, and carefully chosen words to convey complex emotions. Many of his poems explore broken relationships and spiritual longing, suggesting that beauty can exist even in imperfection. This idea, later echoed in his songs, presents suffering not as something to be avoided but as a source of wisdom and transformation.
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| Leonard cohen |
A distinctive feature of Cohen’s poetry is its confessional tone. He writes with vulnerability, admitting weakness, desire, and doubt without shame. His work invites readers to reflect on their own inner struggles. Through a balance of melancholy and hope, Leonard Cohen’s poems remind us that love, pain, and faith are deeply intertwined, and that truth often emerges from embracing life’s fractures rather than denying them.
The Genius
For you
I will be a ghetto jew
and dance
and put white stockings
on my twisted limbs
and poison wells
across the town
For you
I will be an apostate jew
and tell the Spanish priest
of the blood vow
in the Talmud
and where the bones
of the child are hid
For you
I will be a banker jew
and bring to ruin
a proud old hunting king
and end his line
For you
I will be a Broadway jew
and cry in theatres
for my mother
and sell bargain goods
beneath the counter
For you
I will be a doctor jew
and search
in all the garbage cans for foreskins
to sew back again
For you
I will be a Dachau jew
and lie down in lime
with twisted limbs
and bloated pain
no mind can understand
Beneath My Hands
Beneath my hands
your small breasts
are the upturned bellies
of breathing fallen sparrows.
Wherever you move
I hear the sounds of closing wings
of falling wings.
I am speechless
because you have fallen beside me
because your eyelashes
are the spines of tiny fragile animals.
I dread the time
when your mouth
begins to call me hunter.
When you call me close
to tell me
your body is not beautiful
I want to summon
the eyes and hidden mouths
of stone and light and water
to testify against you.
I want them
to surrender before you
the trembling rhyme of your face
from their deep caskets.
When you call me close
to tell me
your body is not beautiful
I want my body and my hands
to be pools
for your looking and laughing.
Bird On The Wire
Like a bird on the wire,
like a drunk in a midnight choir
I have tried in my way to be free.
Like a worm on a hook,
like a knight from some old fashioned book
I have saved all my ribbons for thee.
If I, if I have been unkind,
I hope that you can just let it go by.
If I, if I have been untrue
I hope you know it was never to you.
Like a baby, stillborn,
like a beast with his horn
I have torn everyone who reached out for me.
But I swear by this song
and by all that I have done wrong
I will make it all up to thee.
I saw a beggar leaning on his wooden crutch,
he said to me, "You must not ask for so much."
And a pretty woman leaning in her darkened door,
she cried to me, "Hey, why not ask for more?"
Oh like a bird on the wire,
like a drunk in a midnight choir
I have tried in my way to be free.
Hey That's No Way To Say Goodbye
I loved you in the morning, our kisses deep and warm,
your hair upon the pillow like a sleepy golden storm,
yes, many loved before us, I know that we are not new,
in city and in forest they smiled like me and you,
but now it's come to distances and both of us must try,
your eyes are soft with sorrow,
Hey, that's no way to say goodbye.
I'm not looking for another as I wander in my time,
walk me to the corner, our steps will always rhyme
you know my love goes with you as your love stays with me,
it's just the way it changes, like the shoreline and the sea,
but let's not talk of love or chains and things we can't
untie,
your eyes are soft with sorrow,
Hey, that's no way to say goodbye.
I loved you in the morning, our kisses deep and warm,
your hair upon the pillow like a sleepy golden storm,
yes many loved before us, I know that we are not new,
in city and in forest they smiled like me and you,
but let's not talk of love or chains and things we can't
untie,
your eyes are soft with sorrow,
Hey, that's no way to say goodbye.
Hallelujah
Now I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this, the fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew you
She tied you to a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
You say I took the name in vain
I don't even know the name
But if I did—well, really—what's it to you?
There's a blaze of light in every word
It doesn't matter which you heard
The holy or the broken Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool you
And even though it all went wrong
I'll stand before the Lord of Song
With nothing on my tongue but Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
The Pro 1973
Lost my voice in New York City
never heard it again after sixty-seven
Now I talk like you
Now I sing like you
Cigarette and coffee to make me sick
Couple of families to make me think
Going to see my lawyer
Going to read my mail
Lost my voice in New York City
Guess you always knew
THE PRO
from the Nashville Notebooks of 1969:
I leave my silence to a co-operative of poets
who have already bruised their mouths against it.
I leave my homesick charm to the scavengers of
spare change who work the old artistic corners.
I leave the shadow of my manly groin to those who
write for pay.
I leave to several jealous men a second-rate legend
of my life.
To those few high school girls
who preferred my work to Dylan's
I leave my stone ear
and my disposable Franciscan ambitions
( from "Death of a Lady's Man")
Anthem
The birds they sang
at the break of day
Start again
I heard them say
Don't dwell on what
has passed away
or what is yet to be.
Ah the wars they will
be fought again
The holy dove
She will be caught again
bought and sold
and bought again
the dove is never free.
Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That's how the light gets in.
We asked for signs
the signs were sent:
the birth betrayed
the marriage spent
Yeah the widowhood
of every government --
signs for all to see.
I can't run no more
with that lawless crowd
while the killers in high places
say their prayers out loud.
But they've summoned, they've summoned up
a thundercloud
and they're going to hear from me.
Ring the bells that still can ring ...
You can add up the parts
but you won't have the sum
You can strike up the march,
there is no drum
Every heart, every heart
to love will come
but like a refugee.
Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in.
Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in.
That's how the light gets in.
That's how the light gets in.
Democracy
It's coming through a hole in the air,
from those nights in Tiananmen Square.
It's coming from the feel
that it ain't exactly real,
or it's real, but it ain't exactly there.
From the wars against disorder,
from the sirens night and day,
from the fires of the homeless,
from the ashes of the gay:
Democracy is coming to the U.S.A.
It's coming through a crack in the wall,
on a visionary flood of alcohol;
from the staggering account
of the Sermon on the Mount
which I don't pretend to understand at all.
It's coming from the silence
on the dock of the bay,
from the brave, the bold, the battered
heart of Chevrolet:
Democracy is coming to the U.S.A.
It's coming from the sorrow on the street
the holy places where the races meet;
from the homicidal bitchin'
that goes down in every kitchen
to determine who will serve and who will eat.
From the wells of disappointment
where the women kneel to pray
for the grace of G-d in the desert here
and the desert far away:
Democracy is coming to the U.S.A.
Sail on, sail on
o mighty Ship of State!
To the Shores of Need
past the Reefs of Greed
through the Squalls of Hate
Sail on, sail on
It's coming to America first,
the cradle of the best and the worst.
It's here they got the range
and the machinery for change
and it's here they got the spiritual thirst.
It's here the family's broken
and it's here the lonely say
that the heart has got to open
in a fundamental way:
Democracy is coming to the U.S.A.
It's coming from the women and the men.
O baby, we'll be making love again.
We'll be going down so deep
that the river's going to weep,
and the mountain's going to shout Amen!
It's coming to the tidal flood
beneath the lunar sway,
imperial, mysterious
in amorous array:
Democracy is coming to the U.S.A.
Sail on, sail on
o mighty Ship of State!
To the Shores of Need
past the Reefs of Greed
through the Squalls of Hate
Sail on, sail on
I'm sentimental if you know what I mean:
I love the country but I can't stand the scene.
And I'm neither left or right
I'm just staying home tonight,
getting lost in that hopeless little screen.
But I'm stubborn as those garbage bags
that Time cannot decay,
I'm junk but I'm still holding up
this little wild bouquet:
Democracy is coming to the U.S.A.
