Thomas Hardy’s poems are known for their deep emotional honesty, philosophical reflection, and realistic portrayal of human life. Although Hardy is widely famous as a novelist, he considered poetry his true calling and wrote more than 900 poems throughout his life.
A major theme in Hardy’s poetry is tragic realism. His poems often explore loss, love, fate, time, and the indifference of the universe to human suffering. Unlike the romantic optimism of earlier poets, Hardy presents life as uncertain and often cruel, shaped by chance rather than divine justice.
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| Thomas hardy |
Hardy frequently draws inspiration from rural England, especially his fictional region of Wessex. Nature in his poems is not idealized; it reflects human emotions and historical memory. Poems like “The Darkling Thrush” show a bleak world suddenly pierced by fragile hope, while “Neutral Tones” portrays love’s decay with stark simplicity.
- Another key feature of Hardy’s poetry is his innovative style. He often uses irregular rhythms, unusual stanza forms, and simple, direct language. This makes his poems sound conversational yet profound, influencing later modern poets.
- Hardy also writes powerfully about war and history, especially in poems such as “Drummer Hodge”, where he highlights the anonymity and tragedy of ordinary soldiers.
Overall, Thomas Hardy’s poems are admired for their emotional depth, realism, and philosophical insight, making him a bridge between Victorian poetry and modern literature.
'According to the Mighty Working'
I
When moiling seems at cease
In the vague void of night-time,
And heaven's wide roomage stormless
Between the dusk and light-time,
And fear at last is formless,
We call the allurement Peace.
II
Peace, this hid riot, Change,
This revel of quick-cued mumming,
This never truly being,
This evermore becoming,
This spinner's wheel onfleeing
Outside perception's range.
At Lulworth Cove a Century Back
Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:
"You see that man?" — I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."
"You see that man?" — "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."
"You see that man?" — "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"
"Good. That man goes to Rome — to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."
Before Marching and After
Orion swung southward aslant
Where the starved Egdon pine-trees had thinned,
The Pleiads aloft seemed to pant
With the heather that twitched in the wind;
But he looked on indifferent to sights such as these,
Unswayed by love, friendship, home joy or home sorrow,
And wondered to what he would march on the morrow.
The crazed household-clock with its whirr
Rang midnight within as he stood,
He heard the low sighing of her
Who had striven from his birth for his good;
But he still only asked the spring starlight, the breeze,
What great thing or small thing his history would borrow
From that Game with Death he would play on the morrow.
When the heath wore the robe of late summer,
And the fuchsia-bells, hot in the sun,
Hung red by the door, a quick comer
Brought tidings that marching was done
For him who had joined in that game overseas
Where Death stood to win, though his name was to borrow
A brightness therefrom not to fade on the morrow.
Channel Firing
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day
And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,
The glebe cow drooled. Till God called, “No;
It’s gunnery practice out at sea
Just as before you went below;
The world is as it used to be:
“All nations striving strong to make
Red war yet redder. Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.
“That this is not the judgment-hour
For some of them’s a blessed thing,
For if it were they’d have to scour
Hell’s floor for so much threatening....
“Ha, ha. It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need).”
So down we lay again. “I wonder,
Will the world ever saner be,”
Said one, “than when He sent us under
In our indifferent century!”
And many a skeleton shook his head.
“Instead of preaching forty year,”
My neighbour Parson Thirdly said,
“I wish I had stuck to pipes and beer.”
Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.
The Darkling Thrush
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
The Dead Man Walking
They hail me as one living,
But don't they know
That I have died of late years,
Untombed although?
I am but a shape that stands here,
A pulseless mould,
A pale past picture, screening
Ashes gone cold.
Not at a minute's warning,
Not in a loud hour,
For me ceased Time's enchantments
In hall and bower.
There was no tragic transit,
No catch of breath,
When silent seasons inched me
On to this death ....
— A Troubadour-youth I rambled
With Life for lyre,
The beats of being raging
In me like fire.
But when I practised eyeing
The goal of men,
It iced me, and I perished
A little then.
When passed my friend, my kinsfolk,
Through the Last Door,
And left me standing bleakly,
I died yet more;
And when my Love's heart kindled
In hate of me,
Wherefore I knew not, died I
One more degree.
And if when I died fully
I cannot say,
And changed into the corpse-thing
I am to-day,
Yet is it that, though whiling
The time somehow
In walking, talking, smiling,
I live not now.
The Echo Elf Answers
How much shall I love her?
For life, or not long?
“Not long.”
Alas! When forget her?
In years, or by June?
“By June.”
And whom woo I after?
No one, or a throng?
“A throng.”
Of these shall I wed one
Long hence, or quite soon?
“Quite soon.”
And which will my bride be?
The right or the wrong?
“The wrong.”
And my remedy – what kind?
Wealth-wove, or earth-hewn?
“Earth-hewn.”
Fragment
At last I entered a long dark gallery,
Catacomb-lined; and ranged at the side
Were the bodies of men from far and wide
Who, motion past, were nevertheless not dead.
"The sense of waiting here strikes strong;
Everyone's waiting, waiting, it seems to me;
What are you waiting for so long? —
What is to happen?" I said.
"O we are waiting for one called God," said they,
"(Though by some the Will, or Force, or Laws;
And, vaguely, by some, the Ultimate Cause;)
Waiting for him to see us before we are clay.
Yes; waiting, waiting, for God to know it." ...
"To know what?" questioned I.
"To know how things have been going on earth and below it:
It is clear he must know some day."
I thereon asked them why.
"Since he made us humble pioneers
Of himself in consciousness of Life's tears,
It needs no mighty prophecy
To tell that what he could mindlessly show
His creatures, he himself will know.
"By some still close-cowled mystery
We have reached feeling faster than he,
But he will overtake us anon,
If the world goes on."
