Judith Wright was one of Australia’s most important poets, and her poems are known for their deep connection to land, history, and moral responsibility.
Much of Judith Wright’s poetry focuses on the Australian landscape—not just its beauty, but its harshness and spiritual power. Nature in her poems is alive and demanding; it shapes human identity rather than serving as a peaceful backdrop. She writes about rivers, forests, drought, and animals with a strong sense of place and ecological awareness.
Another central theme in her poems is guilt and conscience, especially concerning the treatment of Aboriginal peoples. Wright was one of the first major Australian poets to openly confront the violence of colonization. Her poems often carry a tone of sorrow and self-examination, asking what it means to belong to a land marked by injustice.
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| Judith wright |
Her style is clear, lyrical, and disciplined. She avoids excessive ornamentation, using precise language and strong imagery. Emotion in her poems is restrained but powerful, giving her work a quiet intensity.
- Love and personal relationships also appear in her poetry, but they are often linked to wider questions of time, memory, and responsibility. Even intimate moments feel connected to history and landscape.
- Overall, Judith Wright’s poems combine beauty with ethical seriousness. They invite readers to love the land deeply while also facing the truths that the land remembers.
Woman To Man
The eyeless labourer in the night,
the selfless, shapeless seed I hold,
builds for its resurrection day---
silent and swift and deep from sight
foresees the unimagined light.
This is no child with a child's face;
this has no name to name it by;
yet you and I have known it well.
This is our hunter and our chase,
the third who lay in our embrace.
This is the strength that your arm knows,
the arc of flesh that is my breast,
the precise crystals of our eyes.
This is the blood's wild tree that grows
the intricate and folded rose.
This is the maker and the made;
this is the question and reply;
the blind head butting at the dark,
the blaze of light along the blade.
Oh hold me, for I am afraid.
The Surfer
He thrust his joy against the weight of the sea;
climbed through, slid under those long banks of
foam—-
(hawthorn hedges in spring, thorns in the face stinging).
How his brown strength drove through the hollow and coil
of green-through weirs of water!
Muscle of arm thrust down long muscle of water;
and swimming so, went out of sight
where mortal, masterful, frail, the gulls went wheeling
in air as he in water, with delight.
Turn home, the sun goes down; swimmer, turn home.
Last leaf of gold vanishes from the sea-curve.
Take the big roller’s shoulder, speed and serve;
come to the long beach home like a gull diving.
For on the sand the grey-wolf sea lies, snarling,
cold twilight wind splits the waves’ hair and shows
the bones they worry in their wolf-teeth. O, wind blows
and sea crouches on sand, fawning and mouthing;
drops there and snatches again, drops and again snatches
its broken toys, its whitened pebbles and shells.
Woman To Child
You who were darkness warmed my flesh
where out of darkness rose the seed.
Then all a world I made in me;
all the world you hear and see
hung upon my dreaming blood.
There moved the multitudinous stars,
and coloured birds and fishes moved.
There swam the sliding continents.
All time lay rolled in me, and sense,
and love that knew not its beloved.
O node and focus of the world;
I hold you deep within that well
you shall escape and not escape-
that mirrors still your sleeping shape;
that nurtures still your crescent cell.
I wither and you break from me;
yet though you dance in living light
I am the earth, I am the root,
I am the stem that fed the fruit,
the link that joins you to the night.
Bora Ring
The song is gone; the dance
is secret with the dancers in the earth,
the ritual useless, and the tribal story
lost in an alien tale.
Only the grass stands up
to mark the dancing-ring; the apple-gums
posture and mime a past corroboree,
murmur a broken chant.
The hunter is gone; the spear
is splintered underground; the painted bodies
a dream the world breathed sleeping and forgot.
The nomad feet are still.
Only the rider's heart
halts at a sightless shadow, an unsaid word
that fastens in the blood of the ancient curse,
the fear as old as Cain.
Five Senses
Now my five senses
gather into a meaning
all acts, all presences;
and as a lily gathers
the elements together,
in me this dark and shining,
that stillness and that moving,
these shapes that spring from nothing,
become a rhythm that dances,
a pure design.
While I'm in my five senses
they send me spinning
all sounds and silences,
all shape and colour
as thread for that weaver,
whose web within me growing
follows beyond my knowing
some pattern sprung from nothing-
a rhythm that dances
and is not mine.
Metho Drinker
Under the death of winter's leaves he lies
who cried to Nothing and the terrible night
to be his home and bread. "O take from me
the weight and waterfall ceaseless Time
that batters down my weakness; the knives of light
whose thrust I cannot turn; the cruelty
of human eyes that dare not touch nor pity."
Under the worn leaves of the winter city
safe in the house of Nothing now he lies.
His white and burning girl, his woman of fire,
creeps to his heart and sets a candle there
to melt away the flesh that hides from bone,
to eat the nerve that tethers him in time.
He will lie warm until the bone is bare
and on a dead dark moon he wakes alone.
It was for Death he took her; death is but this;
and yet he is uneasy under her kiss
and winces from that acid of her desire.
Bullocky
Beside his heavy-shouldered team
thirsty with drought and chilled with rain,
he weathered all the striding years
till they ran widdershins in his brain:
Till the long solitary tracks
etched deeper with each lurching load
were populous before his eyes,
and fiends and angels used his road.
All the long straining journey grew
a mad apocalyptic dream,
and he old Moses, and the slaves
his suffering and stubborn team.
Then in his evening camp beneath
the half-light pillars of the trees
he filled the steepled cone of night
with shouted prayers and prophecies.
While past the campfire's crimson ring
the star struck darkness cupped him round.
and centuries of cattle-bells
rang with their sweet uneasy sound.
Grass is across the wagon-tracks,
and plough strikes bone beneath the grass,
and vineyards cover all the slopes
where the dead teams were used to pass.
O vine, grow close upon that bone
and hold it with your rooted hand.
The prophet Moses feeds the grape,
and fruitful is the Promised Land.
