John Dryden’s poems are known for their clarity, balance, and intellectual power, making him one of the most important English poets of the Restoration period. Dryden believed that poetry should combine reason with emotion, and his writing often reflects order, discipline, and moral reflection rather than romantic excess.
One of Dryden’s greatest strengths is his mastery of heroic couplets—pairs of rhyming lines written in iambic pentameter. He refined this form so skillfully that it became the dominant poetic style of his age. Poems like “Absalom and Achitophel” show how he used poetry as a tool for political satire, blending sharp wit with historical and biblical allegory to comment on contemporary events.
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Dryden’s poetry also explores religion, philosophy, and human nature. In works such as “Religio Laici” and “The Hind and the Panther,” he reflects on faith, doubt, and reason, presenting complex ideas in a clear and persuasive style. His elegy “Annus Mirabilis” celebrates national resilience and progress, revealing his talent for public and patriotic themes.
Overall, John Dryden’s poems are admired for their logical structure, eloquent language, and moral seriousness. He set high standards for poetic expression and greatly influenced later poets like Alexander Pope, helping shape the direction of English poetry for generations.
Dreams
Dreams are but interludes which Fancy makes;
When monarch Reason sleeps, this mimic wakes:
Compounds a medley of disjointed things,
A mob of cobblers, and a court of kings:
Light fumes are merry, grosser fumes are sad;
Both are the reasonable soul run mad;
And many monstrous forms in sleep we see,
That neither were, nor are, nor e'er can be.
Sometimes forgotten things long cast behind
Rush forward in the brain, and come to mind.
The nurse's legends are for truths received,
And the man dreams but what the boy believed.
Sometimes we but rehearse a former play,
The night restores our actions done by day;
As hounds in sleep will open for their prey.
In short, the farce of dreams is of a piece,
Chimeras all; and more absurd, or less.
Calm was the even, and clear was the sky
Calm was the even, and clear was the sky,
And the new budding flowers did spring,
When all alone went Amyntas and I
To hear the sweet nightingale sing;
I sate, and he laid him down by me;
But scarcely his breath he could draw;
For when with a fear, he began to draw near,
He was dash'd with A ha ha ha ha!
He blush'd to himself, and lay still for a while,
And his modesty curb'd his desire;
But straight I convinc'd all his fear with a smile,
Which added new flames to his fire.
O Silvia, said he, you are cruel,
To keep your poor lover in awe;
Then once more he press'd with his hand to my breast,
But was dash'd with A ha ha ha ha!
I knew 'twas his passion that caus'd all his fear;
And therefore I pitied his case:
I whisper'd him softly, there's nobody near,
And laid my cheek close to his face:
But as he grew bolder and bolder,
A shepherd came by us and saw;
And just as our bliss we began with a kiss,
He laugh'd out with A ha ha ha ha!
Song From An Evening's Love
After the pangs of a desperate lover,
When day and night I have sighed all in vain,
Ah, what a pleasure it is to discover
In her eyes pity, who causes my pain!
When with unkindness our love at a stand is,
And both have punished ourselves with the pain,
Ah, what a pleasure the touch of her hand is!
Ah, what a pleasure to touch it again!
When the denial comes fainter and fainter,
And her eyes give what her tongue does deny,
Ah, what a trembling I feel when I venture!
Ah, what a trembling does usher my joy!
When, with a sigh, she accords me the blessing,
And her eyes twinkle 'twixt pleasure and pain,
Ah, what a joy 'tis beyond all expressing!
Ah, what a joy to hear 'Shall we again!'
Hidden Flame
I FEED a flame within, which so torments me
That it both pains my heart, and yet contents me:
'Tis such a pleasing smart, and I so love it,
That I had rather die than once remove it.
Yet he, for whom I grieve, shall never know it;
My tongue does not betray, nor my eyes show it.
Not a sigh, nor a tear, my pain discloses,
But they fall silently, like dew on roses.
Thus, to prevent my Love from being cruel,
My heart 's the sacrifice, as 'tis the fuel;
And while I suffer this to give him quiet,
My faith rewards my love, though he deny it.
On his eyes will I gaze, and there delight me;
While I conceal my love no frown can fright me.
To be more happy I dare not aspire,
Nor can I fall more low, mounting no higher.
Can life be a blessing
Can life be a blessing,
Or worth the possessing,
Can life be a blessing if love were away?
Ah no! though our love all night keep us waking,
And though he torment us with cares all the day,
Yet he sweetens, he sweetens our pains in the taking,
There's an hour at the last, there's an hour to repay.
In ev'ry possessing,
The ravishing blessing,
In ev'ry possessing the fruit of our pain,
Poor lovers forget long ages of anguish,
Whate'er they have suffer'd and done to obtain;
'Tis a pleasure, a pleasure to sigh and to languish,
When we hope, when we hope to be happy again.
Song to a Fair Young Lady
Ask not the cause why sullen Spring
So long delays her flowers to bear;
Why warbling birds forget to sing,
And winter storms invert the year:
Chloris is gone; and fate provides
To make it Spring where she resides.
Chloris is gone, the cruel fair;
She cast not back a pitying eye:
But left her lover in despair
To sigh, to languish, and to die:
Ah! how can those fair eyes endure
To give the wounds they will not cure?
Great God of Love, why hast thou made
A face that can all hearts command,
That all religions can invade,
And change the laws of every land?
Where thou hadst placed such power before,
Thou shouldst have made her mercy more.
When Chloris to the temple comes,
Adoring crowds before her fall;
She can restore the dead from tombs
And every life but mine recall,
I only am by Love designed
To be the victim for mankind.
Life a Cheat
When I consider life, 'tis all a cheat;
Yet, fooled with hope, men favour the deceit;
Trust on, and think to-morrow will repay:
To-morrow's falser than the former day;
Lies worse; and while it says, we shall be blessed
With some new joys, cuts off what we possessed.
Strange cozenage! none would live past years again,
Yet all hope pleasure in what yet remain;
And, from the dregs of life, think to receive
What the first sprightly running could not give.
I'm tired with waiting for this chemic gold,
Which fools us young, and beggars us when old.
Happy the man
Happy the man, and happy he alone,
He who can call today his own:
He who, secure within, can say,
Tomorrow do thy worst, for I have lived today.
Be fair or foul or rain or shine
The joys I have possessed, in spite of fate, are mine.
Not Heaven itself upon the past has power,
But what has been, has been, and I have had my hour.
