Edgar Lee Masters (1868–1950) was an American poet best known for Spoon River Anthology, a groundbreaking work that reshaped modern poetry. His poems are written as dramatic monologues spoken by the dead, residents of the fictional town of Spoon River, who reveal their hidden lives, regrets, hypocrisies, and unfulfilled desires from beyond the grave.
Masters’s poetry is plain, direct, and psychologically sharp. He rejected romantic idealism and instead exposed the emotional truth beneath small-town respectability—corruption, repression, failed love, ambition, and quiet heroism. Each poem stands alone, yet together they form a powerful social portrait of American life.
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| Edgar lee masters |
Stylistically, Masters favored free verse, conversational language, and narrative clarity. His influence can be seen in later confessional and realist poets, who similarly sought honesty over ornament. While Spoon River Anthology remains his most enduring achievement, it continues to resonate because of its timeless themes: the cost of silence, the complexity of human motives, and the longing to be understood.
Edgar Lee Masters’s poems remind us that every life contains an untold story—and that truth often speaks most clearly when the masks are finally removed.
A.D. Blood
If you in the village think that my work was a good one,
Who closed the saloons and stopped all playing at cards,
And haled old Daisy Fraser before Justice Arnett,
In many a crusade to purge the people of sin;
Why do you let the milliner's daughter Dora,
And the worthless son of Benjamin Pantier,
Nightly make my grave their unholy pillow?
America
Glorious daughter of time! Thou of the mild blue eye --
Thou of the virginal forehead --pallid, unfurrowed of tears--
Thou of the strong white hands with fingers dipped in the dye
Of the blood that quickened the fathers of thee, in the ancient years,
Leave thou the path of the beasts. Return thou again to the hills,
Forsake thou the deserts of death, where ever the burning thirst,
Flames in the throat for blood, for the vile desire that kills,
Where the treacherous sands by the rebel cerastes are cursed,
And the wastes are strewn with the bones of folly and hate.
Return! where the sunlight gladdens the places of green,
Where the stars comes forth, the heralds of faith and fate,
And the winds of eternity breathe from a day unseen.
Thou! what hast thou to do with a time burnt out and done?
With the old Serbonian bog-- the marshes where nations were lost?
Where wailings are heard of the dead, of the slaughtered Roman and Hun,
And phosphorent lights arise in the hands of a stricken ghost,
Dreaming of splendors of battle that glanced from a million shields,
When the C¾sars pillaged for lust of gold and hunger of power;
And the giants of Gothland festered and stank on the stretching fields,
And the gods of the living were cursed, too weak to reveal the hour,
When they should triumph and others should writhe in a dread defeat,
In the day of thy grace, O fair and false to thy fathers and time,
O thou whom the snares of kings already encompass thy feet,
With thy singing robes besprent with the old Egyptian slime.
But thou hast harkened to guile, to the cunning words of shame,
To the tempter with pieces of gold and the praise of the drunken throng.
Scornfully push from their hands the crown of a common fame,
Not made for thy peaceful brows, for thou wert not born for wrong.
Thou art the fruit of the groaning cycles of hope and love,
Told of by maddened prophets who never beheld thy face,
Who drew from the teeming earth and the fetterless sky above,
That man was made to be free, and to stamp under foot the mace.
How should thy innocent eyes ever leer with a reddened look?
Or thy hair be scented save of the measureless sea?
Or thy feet know the ways of deceit, wrote out in the murderous book,
By monarchs who shrank from the scourging and doom of thy strength and thee?
Beloved of time and of fate, cherished of justice and truth,
Yet thou art free to do, to choose the ill and to die;
To squander thy beauty for hire, to waste thy eternal youth --
For thou art eternal, if thou heedst them not, but pass by,
Pass and return to the mountains of freedom and peace,
Where heavenward flame the fires, where the torches may be relumed,
To girdle the world with the light that was kindled in olden Greece;
Or that the sparks may be scattered wherever injustice has doomed,
Darkness to be the portion of those who famish for light.
Be thou the great rock's shadow cast in a weary land,
Be thou a star of guidance true in a wintry night,
Be thou thyself, and thyself alone, as heaven hath planned.
Ami Green
Not "a youth with hoary head and haggard eye,"
But an old man with a smooth skin
And black hair!
I had the face of a boy as long as I lived,
And for years a soul that was stiff and bent,
In a world which saw me just as a jest,
To be hailed familiarly when it chose,
And loaded up as a man when it chose,
Being neither man nor boy.
In truth it was soul as well as body
Which never matured, and I say to you
That the much-sought prize of eternal youth
Is just arrested growth.
Butch Weldy
After I got religion and steadied down
They gave me a job in the canning works,
And every morning I had to fill
The tank in the yard with gasoline,
That fed the blow-fires in the sheds
To heat the soldering irons.
And I mounted a rickety ladder to do it,
Carrying buckets full of the stuff.
One morning, as I stood there pouring,
The air grew still and seemed to heave,
And I shot up as the tank exploded,
And down I came with both legs broken,
And my eyes burned crisp as a couple of eggs.
For someone left a blow-fire going,
And something sucked the flame in the tank.
The Circuit Judge said whoever did it
Was a fellow-servant of mine, and so
Old Rhodes' son didn't have to pay me.
And I sat on the witness stand as blind
As Jack the Fiddler, saying over and over,
"l didn't know him at all."
Clarence Darrow
This is Darrow,
Inadequately scrawled, with his young, old heart,
And his drawl, and his infinite paradox
And his sadness, and kindness,
And his artist sense that drives him to shape his life
To something harmonious, even against the schemes of God.
Alexander Throckmorton
In youth my wings were strong and tireless,
But I did not know the mountains.
In age I knew the mountains
But my weary wings could not follow my vision —
Genius is wisdom and youth.
Conrad Siever
Not in that wasted garden
Where bodies are drawn into grass
That feeds no flocks, and into evergreens
That bear no fruit —
There where along the shaded walks
Vain sighs are heard,
And vainer dreams are dreamed
Of close communion with departed souls —
But here under the apple tree
I loved and watched and pruned
With gnarled hands
In the long, long years;
Here under the roots of this northern-spy
To move in the chemic change and circle of life,
Into the soil and into the flesh of the tree,
And into the living epitaphs
Of redder apples!
Daisy Fraser
Did you ever hear of Editor Whedon
Giving to the public treasury any of the money he received
For supporting candidated for office?
Or for writing up the canning factory
To get people to invest?
Or for suppressing the facts about the bank,
When it was rotten and ready to break?
Did you ever hear of the Circuit Judge
Helping anyone except the "Q" railroad,
Or the bankers? Or did Rev. Peet or Rev. Sibley
Give any part of their salary, earned by keeping still,
Or speaking out as the leaders wished them to do,
To the building of the water works?
But I — Daisy Fraser who always passed
Along the street through rows of nods and smiles,
And coughs and words such as "there she goes."
Never was taken before Justice Arnett
Without contributing ten dollars and costs
To the school fund of Spoon River!
