Andrea Gibson is a celebrated American poet known for powerful, emotionally charged, and socially conscious poetry. Widely recognized as a leading voice in contemporary spoken-word poetry, Gibson’s work blends personal vulnerability with sharp political awareness, making their poems deeply relatable and impactful. They served as the Poet Laureate of Colorado and gained international recognition after winning the Women of the World Poetry Slam in 2008.
Andrea Gibson’s poems focus on themes such as love, gender identity, LGBTQ+ experience, mental health, social justice, war, and human compassion. Their writing often challenges traditional norms, especially around gender and identity, while emphasizing empathy, courage, and emotional honesty. Gibson’s language is direct, lyrical, and accessible, which allows their poems to resonate with both literary audiences and general readers.
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Strongly rooted in spoken-word performance, Gibson’s poetry is designed to be heard as much as read. The emotional delivery, rhythmic flow, and storytelling style give their poems an urgent, intimate quality. Collections such as Pansy, Lord of the Butterflies, You Better Be Lightning, and The Madness Vase showcase their ability to merge activism with artistry.
Overall, Andrea Gibson’s poetry stands out for its fearless truth-telling and deep humanity. Their work continues to inspire readers worldwide by giving voice to marginalized experiences and reminding us of the transformative power of words.
How the Worst Day of My Life Became the Best
When I realized the storm
was inevitable, I made it
my medicine.
Took two snowflakes
on the tongue in the morning,
two snowflakes on the tongue
by noon.
There were no side effects.
Only sound effects. Reverb
added to my lifespan,
an echo that asked—
What part of your life’s record is skipping?
What wound is on repeat?
Have you done everything you can
to break out of that groove?
By nighttime, I was intimate
with the difference
between tying my laces
and tuning the string section
of my shoes, made a symphony of walking
away from everything that did not
want my life to sing.
Felt a love for myself so consistent
metronomes tried to copyright my heartbeat.
Finally understood I am the conductor
of my own life, and will be even after I die.
I, like the trees, will decide what I become:
Porch swing? Church pew?
An envelope that must be licked to be closed?
Kinky choice, but I didn’t close.
I opened and opened
until I could imagine that the pain
was the sensation of my spirit
not breaking,
that my mind was a parachute
that could always open
in time,
that I could wear my heart
on my sleeve and never grow
out of that shirt.
That every falling leaf is a tiny kite
with a string too small to see, held
by the part of me in charge
of making beauty
out of grief.
Tincture
Imagine, when a human dies,
the soul misses the body, actually grieves
the loss of its hands and all
they could hold. Misses the throat closing shy
reading out loud on the first day of school.
Imagine the soul misses the stubbed toe,
the loose tooth, the funny bone. The soul still asks, Why
does the funny bone do that? It’s just weird.
Imagine the soul misses the thirsty garden cheeks
watered by grief. Misses how the body could sleep
through a dream. What else can sleep through a dream?
What else can laugh? What else can wrinkle
the smile’s autograph? Imagine the soul misses each falling
eyelash waiting to be a wish. Misses the wrist
screaming away the blade. The soul misses the lisp,
the stutter, the limp. The soul misses the holy bruise
blue from that army of blood rushing to the wound’s side.
When a human dies, the soul searches the universe
for something blushing, something shaking
in the cold, something that scars, sweeps
the universe for patience worn thin,
the last nerve fighting for its life, the voice box
aching to be heard. The soul misses the way
the body would hold another body and not be two bodies
but one pleading god doubled in grace.
The soul misses how the mind told the body,
You have fallen from grace. And the body said,
Erase every scripture that doesn’t have a pulse.
There isn’t a single page in the bible that can wince,
that can clumsy, that can freckle, that can hunger.
Imagine the soul misses hunger, emptiness,
rage, the fist that was never taught to curl—curled,
the teeth that were never taught to clench—clenched,
the body that was never taught to make love—made love
like a hungry ghost digging its way out of the grave.
The soul misses the unforever of old age, the skin
that no longer fits. The soul misses every single day
the body was sick, the now it forced, the here
it built from the fever. Fever is how the body prays,
how it burns and begs for another average day.
The soul misses the legs creaking
up the stairs, misses the fear that climbed
up the vocal cords to curse the wheelchair.
The soul misses what the body could not let go—
what else could hold on that tightly to everything?
What else could see hear the chain of a swingset
and fall to its knees? What else could touch
a screen door and taste lemonade?
What else could come back from a war
and not come back? But still try to live? Still try
to lullaby? When a human dies the soul moves
through the universe trying to describe how a body trembles
when it’s lost, softens when it’s safe, how a wound would heal
given nothing but time. Do you understand? Nothing in space can
imagine it. No comet, no nebula, no ray of light
can fathom the landscape of awe, the heat of shame.
The fingertips pulling the first gray hair
and throwing it away. I can’t imagine it,
the stars say. Tell us again about goosebumps.
Tell us again about pain.
Instead of Depression
try calling it hibernation.
Imagine the darkness is a cave
in which you will be nurtured
by doing absolutely nothing.
Hibernating animals don’t even dream.
It’s okay if you can’t imagine
Spring. Sleep through the alarm
of the world. Name your hopelessness
a quiet hollow, a place you go
to heal, a den you dug,
Sweetheart, instead
of a grave.
In the chemo room, I wear mittens made of ice so I don’t lose my fingernails. But I took a risk today to write this down.
Whenever I spend the day crying,
my friends tell me I look high. Good grief,
they finally understand me.
Even when the arena is empty, I thank god
for the shots I miss. If you ever catch me
only thanking god for the shots I make,
remind me I’m not thanking god. Remind me
all my prayers were answered
the moment I started praying
for what I already have.
Jenny says when people ask if she’s out of the woods,
she tells them she’ll never be out of the woods,
says there is something lovely about the woods.
I know how to build a survival shelter
from fallen tree branches, packed mud,
and pulled moss. I could survive forever
on death alone. Wasn’t it death that taught me
to stop measuring my lifespan by length,
but by width? Do you know how many beautiful things
can be seen in a single second? How you can blow up
a second like a balloon and fit infinity inside of it?
I’m infinite, I know, but I still have a measly wrinkle
collection compared to my end goal. I would love
to be a before picture, I think, as I look in the mirror
and mistake my head for the moon. My dark
thoughts are almost always 238,856 miles away
from me believing them. I love this life,
I whisper into my doctor’s stethoscope
so she can hear my heart. My heart, an heirloom
I didn’t inherit until I thought I could die.
Why did I go so long believing I owed the world
my disappointment? Why did I want to take
the world by storm when I could have taken it
by sunshine, by rosewater, by the cactus flowers
on the side of the road where I broke down?
I’m not about to waste more time
spinning stories about how much time
I’m owed, but there is a man
who is usually here, who isn’t today.
I don’t know if he’s still alive. I just know
his wife was made of so much hope
she looked like a firework above his chair.
Will the afterlife be harder if I remember
the people I love, or forget them?
Either way, please let me remember.
