Donald Hall’s poetry is deeply rooted in the landscapes, memories, and quiet rhythms of rural New England. His poems often explore themes of memory, aging, grief, love, and the passage of time, drawing from his own life at Eagle Pond Farm in New Hampshire. Hall wrote with a plainspoken clarity that feels intimate and honest, yet his language carries a lyrical richness that elevates everyday experience into something universal.
One of the strongest qualities in Hall’s work is his ability to turn simple rural details—hayfields, old barns, quiet winters—into symbols of endurance and loss. His poems about his late wife, poet Jane Kenyon, are especially powerful; through them, Hall confronts sorrow, devotion, and the lingering ache of absence. Even in grief, his voice remains tender, reflective, and deeply human.
 |
| Donald hall |
Hall also wrote frequently about work—both physical labor and the labor of writing poetry. He believed that poems should feel crafted but never forced, shaped by patience and emotional truth.
Overall, Donald Hall’s poetry invites readers into a world where time moves slowly, memory is sacred, and the smallest moments of ordinary life carry profound meaning. His work remains admired for its emotional depth, clarity, and timeless simplicity.
Affirmation
To grow old is to lose everything.
Aging, everybody knows it.
Even when we are young,
we glimpse it sometimes, and nod our heads
when a grandfather dies.
Then we row for years on the midsummer
pond, ignorant and content. But a marriage,
that began without harm, scatters
into debris on the shore,
and a friend from school drops
cold on a rocky strand.
If a new love carries us
past middle age, our wife will die
at her strongest and most beautiful.
New women come and go. All go.
The pretty lover who announces
that she is temporary
is temporary. The bold woman,
middle-aged against our old age,
sinks under an anxiety she cannot withstand.
Another friend of decades estranges himself
in words that pollute thirty years.
Let us stifle under mud at the pond's edge
and affirm that it is fitting
and delicious to lose everything.
White Apples
when my father had been dead a week
I woke with his voice in my ear
I sat up in bed
and held my breath
and stared at the pale closed door
white apples and the taste of stone
if he called again
I would put on my coat and galoshes
An Old Life
Snow fell in the night.
At five-fifteen I woke to a bluish
mounded softness where
the Honda was. Cat fed and coffee made,
I broomed snow off the car
and drove to the Kearsarge Mini-Mart
before Amy opened
to yank my Globe out of the bundle.
Back, I set my cup of coffee
beside Jane, still half-asleep,
murmuring stuporous
thanks in the aquamarine morning.
Then I sat in my blue chair
with blueberry bagels and strong
black coffee reading news,
the obits, the comics, and the sports.
Carrying my cup twenty feet,
I sat myself at the desk
for this day's lifelong
engagement with the one task and desire.
Safe Sex
If he and she do not know each other, and feel confident
they will not meet again; if he avoids affectionate words;
if she has grown insensible skin under skin; if they desire
only the tribute of another's cry; if they employ each other
as revenge on old lovers or families of entitlement and steel—
then there will be no betrayals, no letters returned unread,
no frenzy, no hurled words of permanent humiliation,
no trembling days, no vomit at midnight, no repeated
apparition of a body floating face-down at the pond's edge
Gold
Pale gold of the walls, gold
of the centers of daisies, yellow roses
pressing from a clear bowl. All day
we lay on the bed, my hand
stroking the deep
gold of your thighs and your back.
We slept and woke
entering the golden room together,
lay down in it breathing
quickly, then
slowly again,
caressing and dozing, your hand sleepily
touching my hair now.
We made in those days
tiny identical rooms inside our bodies
which the men who uncover our graves
will find in a thousand years,
shining and whole.
The Painted Bed
'Even when I danced erect
by the Nile’s garden
I constructed Necropolis.
Ten million fellaheen cells
of my body floated stones
to establish a white museum.'
Grisly, foul, and terrific
is the speech of bones,
thighs and arms slackened
into desiccated sacs of flesh
hanging from an armature
where muscle was, and fat.
'I lie on the painted bed
diminishing, concentrated
on the journey I undertake
to repose without pain
in the palace of darkness,
my body beside your body.'
Her Long Illness
Daybreak until nightfall,
he sat by his wife at the hospital
while chemotherapy dripped
through the catheter into her heart.
He drank coffee and read
the Globe. He paced; he worked
on poems; he rubbed her back
and read aloud. Overcome with dread,
they wept and affirmed
their love for each other, witlessly,
over and over again.
When it snowed one morning Jane gazed
at the darkness blurred
with flakes. They pushed the IV pump
which she called Igor
slowly past the nurses' pods, as far
as the outside door
so that she could smell the snowy air.
